From NJ Monthly.com, February 4, 2008:
Chances are you haven’t heard the song “On the Dark Side” for years.
But it’s one of those tunes that you’d recall instantly if it popped up
on the car radio. It might take a stanza or two, but soon you’d be
singing along: “Ain’t nothin’ gonna save you from a love that’s
blind/When you slip to the dark side you cross that line/On the dark
side, oh yeah…”
Though it clearly sounds like early
Boss, no doubt intentionally, the tune was actually the biggest hit for a
journeyman group from Rhode Island called
John Cafferty and the Beaver Brown Band, which had toiled for years on the East Coast beach-bar
circuit. The big break came in 1983, when film director Martin Davidson (
The Lords of Flatbush) began assembling a cast for a little movie called
Eddie and the Cruisers,
about a
Jersey Shore garage band trying to make the big time. The film
starred Tom Berenger, Ellen Barkin, and Joe Pantoliano—who has since
become far better known for his role as Ralph Cifaretto in another
Garden State–inspired drama—and gave fifteen minutes of fame to pouty,
pretty Michael Paré, who played lead singer Eddie Wilson with the
suitable combination of great hair and disaffected swagger.
Filming took place all over the Shore, most notably at landmark Tony
Mart’s bar in
Somers Point, and in
Wildwood, where much of the story was
set. The film centers on Eddie and his partner, Sal, who form a band
that becomes the centerpiece of Tony Mart’s in the summer of 1962. The
band gets signed and releases a hit album, but the evil head of the
record company hates the follow-up and refuses to release it, causing
Eddie to crack up and drive his car off the Raritan Bridge. Years later
the Cruisers’ first album is re-released and again becomes a hit,
revealing a mystery (that sort of doesn’t make sense) about the location
of the follow-up album’s master tapes. In a final twist worthy of
All My Children, Eddie resurfaces, opening the door for the sequel,
Eddie and the Cruisers 2, a dreadful effort filmed, it should be noted, almost entirely in Canada.
When viewed today, clearly the best part the original film is its raw
authenticity. Not only does it sound like a Shore band; it looks like
the Shore. In this regard, it may be the quintessential Jersey Shore
movie, Louis Malle’s
Atlantic City notwithstanding. Unlike with other Shore-set treatises—the 1988 Bette Midler weeper
Beaches, whose
Atlantic City scenes were filmed in Coney Island; the cult CBS crime drama
Wiseguy,
whose first story arc was set in A.C. but filmed in Vancouver—you can
almost smell the saltwater coming off the screen. And you recognize
Eddie as he does what many a musician has done before and since: trudge
up and down the New Jersey coastline chasing his dreams.